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5 June
Thursday

TOP CHEF FINALE RECAP: More Like, Bottom Chef, Am I Right People?

Richard n BabyBest Quote: “My daughter said to me, don’t even bother coming home if you don’t win.” — Antonia, current resident of Puerto Rico.

Other Best Quote: “You won the Bronze Medal. Big f*ckin’ deal.” — Richard, after Lisa whined about the chefs not congratulating her. Note that Richard said “Holy smokes!” when he won the car this episode, yet even he reaches for the F-word when Lisa is involved. That’s how much everyone hates Lisa.

Best Product Shot: Basically, everything Puerto Rico-related. They flew to Puerto Rico, attended a super-staged Puerto Rico festival, ran Puerto Rico travel ads during multiple commercial breaks, and the First Lady of Puerto Rico attended the elimination challenge garden party. How frickin’ desperate is Puerto Rico for tourism? Apparently, more desperate than Glad Bag Island (located in the Dutch Antilles).

Two Jokes That Come True: Twice I made a joke about Lisa and it then immediately happened; at the beginning of the episode, when Stephanie, Richard, and Antonia all met up and exchanged kisses in Puerto Rico, I turned to my roommate and said (in a hilarious, Fatty McGee-esque voice) “hey guys, it’s me!” and then seconds later Lisa actually did show up and the music got all awkward and clearly none of the other contestants wanted to see her there. Then, later, I made the same joke later about Stephanie and Richard being really pissed when Lisa wasn’t eliminated, and then they really were noticeably pissed. I’m just happy that all of our Lisa-bashing is echoed in the sentiments of all the competitors.

After the Jump, a quick recap, updated Power Rankings, and my Finale prediction:

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29 May
Thursday

It’s LOST Finale Crazy Prediction Time!

Richard AlpertTonight’s 2-hour “Lost” finale can go in one of three directions:

1) Huge plot twist that’ll keep people talking through the lengthy offseason hiatus

2) Underwhelming lack of twists that’ll keep people talking angrily though the lengthy offseason hiatus

3) Really cryptic, unresolved twist that’ll keep people scrambling to make sense of it through the lengthy offseason.

I’m bettin’ my teleporting cabin on #3, though it’s anybody’s guess exactly what the twist will involve. Here are my predictions and crazy half-predictions for the episode tonight — please leave your own in the comments, and whoever comes closest will earn back the respect I lost when none of us got the Indiana Jones Variety headline correct:

Frank dies, Keamy dies, Jin lives, Claire’s fate remains ambiguous

– We’ll get a touching final moment between Sawyer and Kate that ends with Kate attempting to kiss Sawyer but Sawyer turns his head. We’ll also learn what Kate’s mainland promise was to Sawyer — I’m guessing it involves taking care of one of his family members.

– The freighter explodes, but we don’t know exactly who’s on it. A bunch of extras die, and probably Michael. Desmond will be fine.

– Gotta at least get some plot advancement with regard to Widmore and Unaging Alpert; I forsee Widmore getting tipped off about the suspicious nature of the Oceanic Six’s survival, and Richard will end up helping to guide Locke into moving the island.

– The very final moment in the episode will be John ‘moving’ the island, then some huge, massive effect, then John wakes up sees something crazy (crazier than a ghost of his dad – not sure what, but it will make absolutely no sense) and it’ll cut to John saying “[person's name]?” then a cut to the final LOST title screen of the season.

What else ya got, people? Leave your crazy finale predictions in the comments!

29 May
Thursday

TOP CHEF RECAP: Down To The Final Three, Plus Some Bandana Chick

TramatoBEST QUOTE: “I’ll take the shot, bro” — Rick Tramanto, 21-year old steakhouse entrepreneur and O.A.R. fan

BEST PRODUCT SHOT: Richard unfolds a white garbage bag with a huge red GLAD logo on it. I’m pretty sure I’ve been using white GLAD garbage bags my entire life, and while my eyes aren’t great at seeing the color red or white or the letters A, D, G, or L, I am preeeeetttty sure that those million GLAD trash bags I’ve gone through did not have that logo on it. Yes, a million. I use one bag per thing.

BEST CLIP OF PADMA LAKSHIMI TURNING INTO A 1950s ROBOT (aka, Most Seamless Audio Editing in TV History):

THOUGHTS ON THE EPISODE:

Spikey– If there has ever, EVER been a time for the reality-show “you’re both gone!” twist in the history of reality-show “you’re both gone!” twists, it was last night’s pre-Finale Top Chef. The idea of having either Spike or Lisa in the finals is as egregious as “Idol” having to choose between William Hung or Cowardly Lion Woman to make it to Hollywood. On second thought, I would legitimately much rather hear an album from Cowardly Lion Woman than Daughtrey.

– Also, when Tom was like, “Lisa, you’ve been in the bottom five times, and Spike, you’ve been in the bottom seven times,” did anyone else yell at their tv, “Then why the f*ck are they both still here, Tommy Coalz?” (That’s what we all call him). My friend was claiming that this proves that the judges are bending to the will of the producers, but why the f*ck would the producers want to keep Lisa around? Do they own stock in ‘unpleasant?’

After the jump — My thoughts on the episode, updated Rankings, and proof that Lisa is the devil:

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23 May
Friday

ICYMI: Naomi Campbell Makes Court-Issued Self-Deprecating Appearance On Ugly Better

NaomiWe’re pretty much at the point now where oft-troubled stars are required to redeem themselves in the public image by parodying themselves on network tv, but what started with events like Hugh Grant appearing on “Leno” to talk about soliciting sex and Bob Dole making a couple simple wisecracks at himself on “SNL” has mutated into this bizarre publicity quest for whatever the hell celebrity did whatever the hell wrong and wants to appear on whatever the hell show that needs whatever the hell short-term ratings boost.

The next thing you know, here’s Naomi Campbell playing charity softball in an episode of Ugly Betty. I sure am convinced now — maybe she’s not a terrible, dangerous human being! Can someone give Amy Winehouse the number for Grey’s?

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22 May
Thursday

TOP CHEF RECAP: F************ck!!!!!!!! [Cry]

DaleSADDEST QUOTE: After Mark wasn’t picked to return for the challenge, there was literally a one-second shot of him saying “Good luck, guys” and he was never seen again.

WHINIEST JUDGE’S TABLE QUOTE: Spike, when asked why he once again didn’t do anything in this challenge (besides transporting spare ribs back and forth) – “I had to hang Buddhas, I had to get… paintings done…”

BEST BRAVO TEAM-PLAYER QUOTE: “We hopped in the Pathfinders and headed to Pier One!” – Lisa

AAAAAAND ON TO THE EPISODE THOUGHTS:

– I nearly tossed the remote at the screen and harmonized the F-word with Dale upon his elimination, especially when he manic-depressively broke down and cried in his exit testimonial, but the more I thought about it, the more I felt his removal was semi-justified. He’s a million times better than Spike and Lisa, obviously, but he’s been on the losing team in like nine of the last five challenges, frequently assumes a confrontational do-it-all-myself role and doesn’t pull it off, and his Asian-themed restaurant, which should’ve been his time to shine, was a complete failure.

Still, seeing him go down and Spike and Lisa still around is like watching underdogs hanging around the NCAA Tournament, only in this case, the games are decided by humans and you’re not rooting for these two underdogs because they happen to suck.

Hatz– Why was Spike the only one with testimonials in the first forty minutes of the episode? Anytime something happened, it immediately cut to Spike for his inane thoughts on the matter — it was like some nightmare “Best Week Ever” episode where none of the panelists showed up to tape except for this one comedian who wears Dick Tracy hats and isn’t very good at cooking food.

– I loved that they tried really hard to make the short order cook Quickfire look difficult, with intense shots of Richard throwing away an overcooked egg and dealing with a cloudy poaching pan, when it was clear that the chefs had almost no trouble with it, even after receiving no training beforehand and not being given the common nicknames for the menu items. Next week — can the chefs handle the Subway assembly line…. AT LUNCHTIME????

After the Jump – Collins and Blagg weigh in with their thoughts, and we update the Power Rankings!

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21 May
Wednesday

Top 12 TV Shows That Overstayed Their Welcome

Before you rip on ABC for renewing “Desperate Housewives” for another season and picking up “Scrubs” from NBC, take a lesson in television shark-jumping history — BWE.tv celebrates the 2008 tv renewal season with the following list of 12 TV Shows That Very Obviously Overstayed Their Welcome:

That 70s Show

12. That 70s Show

Aired: 1998-2006

Number Of Episodes: 200

Wore Out Its Welcome: The show initially takes place in the year 1976 but stays on the air for eight years, meaning that at some point, the space-time continuum is slowed to keep the decade theme intact.

Wore Out Its Welcome Again: Topher Grace and Ashton Kutcher both leave the cast in 2005, but the producers feel obligated to satisfactorily conclude the complex Red / Hyde subplot.

On The Other Hand: I don’t care if it takes eight years, dag blastit, we’re gonna convince people that Laura Prepon is hot!

Zachary Ty Brian
11. Home Improvement

Aired: 1991-1999

Number Of Episodes: 204

Wore Out Its Welcome: Jonathan Taylor Thomas leaves the cast for Hollywood to focus on turning Man of the House into a blockbuster franchise.

Wore Out Its Welcome Again: In the show’s final season, the Mark character goes goth, and Brad (who is now 6’8″, 290) gets caught with pot, though the heavyhanded DUI episode is scrapped after Tim Allen gets a DUI in real life (no joke).

On The Other Hand: Did you know this show was still on the air when “The Matrix” came out?

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15 May
Thursday

TOP CHEF THOUGHTS: Wow, Andrew’s A Bitch

Andrew- Andrew went from fun-loving to probably going to stab the judging panel on his way out with sociopathic speed. My god.

- RE: Andrew’s sushi: It’s the fourth f*cking season of “Top Chef” and people are still actually saying things like “maybe it’s not exactly what the challenge is asking for, but I’m gonna do it my way!” I have yet to hear Tom exclaim “That dish was SO MUCH BETTER than what we were asking for! Thanks!!

- I love when the guest judge kept repeating that he “came from a family of cops.” Like, “My dad was a cop, and he was always telling us in detail about the type of box lunches that cops do and do not like to eat and why.”

- What does Spike have to do to lose??? When he chose bread, lettuce, tomatoes, and chicken as the ingredients no one else could use, I joked to my friend, “watch him just make some garbage dish and put the lettuce and tomato and bread on the side for no reason.” Not to mention his delicious sounding olives-and-grapes chicken salad — my goodness, did he squeak by again this week.

- Has Andrew had any experience with cooking healthy food? Anyone know?

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13 May
Tuesday

EPILOGUE: Dirty Sexy Money Outlasts Women’s Murder Club In Battle Of Embarrassing Titles

DSM n WMCIt’s settled — the bitter battle for “Most Embarrassing Title For A Network TV Show” between ABC’s “Dirty Sexy Money” and ABC’s “Women’s Murder Club” is over, with retardedly-moustacheoed Donald Sutherland and the DSM crew coming out on top.

“Dirty Sexy Money” was picked up for a second season back in February (with a Season One DVD not coming out til September… what a c*cktease!!!) “Women’s Murder Club,” sadly, has been canceled.

Not sure how everyone else did in their Terrible Title office pools; I personally had “Dirty Sexy Money” getting canceled after zero episodes and “Women’s Murder Club” being canceled after negative one episode (meaning not only would no episodes air, but they’d write and then shred an additional pilot script), so I had the order correct, but was just off by a bit on the exact number of episodes.

Either way, “Dirty Sexy Money” is currently running unopposed for “Worst Title On Network TV.” Time to step it up, person who created “Side Order Of Life”.

12 May
Monday

Fox Greenlights Arrested Development Methadone

Bateman ArnettOf all the pilot-pickups that have inspired my cries of “They canceled Arrested Development but they’re greenlighting this??” today’s Fox press release may be the most bewildering yet. In a good way.

Fox’s new series orders went to… the Jason Bateman-directed comedy “The Inn,” along with Mitchell Hurwitz’s animated comedy “Sit Down, Shut Up.” The pickups stage a big “Arrested Development” reunion at Fox for creator Hurwitz and star Bateman, who also voices “Sit Down” with “Arrested Development” alums Will Arnett and Henry Winkler.

I’ve screamed post-A.D. ire at my television enough times that the tv knows not to show ‘Til Death or Back To You in my presence, but I think we can all agree, obligatory “then why’d you cancel it in the first place” cries aside, that this is fantastic pilot news.

My therapist often speculated it would take something like a Mitchell Hurwitz-created animated series starring Will Arnett, Jason Bateman, and Henry Winkler in the same season as a Jason Bateman-directed comedy to begin healing the rift between myself and Fox, so we’ll wait and see.

As for that shark-jumping atomic bomb in the one 24 season premiere, Fox? Give Robert Smigel a new show and we’ll talk.

9 May
Friday

Why I’m Enjoying 30 Rock More Than The Office These Days (Sigh)

Tina FeyNo, I’m not gonna whine about The Office “jumping the shark,” because it clearly hasn’t, and I’m not gonna chalk up the recent episodes’ weirdness to some fundamental change in the show’s quality as opposed to just some unusal individual episodes with a bunch of funny lines (“I’d never say this to her face, but Pam is a great person and a very talented artist.”) That being said, over the course of this month, I continue to find myself enjoying watching 30 Rock a lot more than watching The Office week after week.

The main reason, I feel, is that there’s a certain stigma associated with The Office — which is much stronger when you work at a place like BWE where your colleague will get blasted for not writing an evaluation of the half-hour comedy before 12 pm — where when I go into an episode, I’m always wondering, what are they gonna do with Michael this week? What’s gonna happen with Jim & Pam? Are Ryan and Jan and Toby going to remain completely insane? Will there be a huge plot twist? What if Michael really did fire Stanley, how would that affect the fabric of the show? And so on. Yes, it’s dorky, but a show with such uniquely strong characters demands this relationship from its regular viewers, and I’m gonna go out on a limb and assume soooommmme of our readers feel the same way.

30 Rock, on the other hand, is always innocuous, positive, and guaranteed to have about 10 ridiculous sentences that no humans have ever thought to construct before. I can watch the show knowing I’m not gonna have to form a conscious opinion of every episode for when I inevitably get pulled into postgame conversations on Friday. No one at work is gonna ask me, “do you think the producers are gonna have Liz and Floyd get together in the season finale? What would happen if they moved to Cleveland for a couple episodes, how would that affect the Jack plot??”

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